fifty frenchmen can't be wrong (
some_stars) wrote2012-07-17 09:08 pm
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Amazing true facts I learned from Political Animals: everything women do, every story-worthy thought and motivation we have and every single meaningful event in our lives, revolves around our romantic relationships and the accompanying drama. EVERYTHING. The story of a woman running for president is actually the story of her feelings about her marriage, and who she has sex with, and who gropes her in public, and whether or not she loves her husband. The story of a woman reporter writing a story about that woman is also about her boyfriend and getting cheated on and her feelings about love. Also women are constantly calling each other bitches (and cunts, in one memorable line). That's the one most constant rule of this universe: women hate each other. It's looking like the two Good women are going to become friends, and perhaps ally against the Bad women, but they had to call each other bitches a lot first.
Basically this appears to have been written by a dude who thinks he's Aaron Sorkin circa The West Wing (season 1), but is actually Aaron Sorkin circa The Newsroom. The only curiosity is why someone with such a generalized contempt for women would decide to write a story about women, and about institutionalized sexism in politics and the media. I mean, it's actually an excellent depiction of the shit stacked against us in both areas, but I think unintentionally.
Also, Sebastian Stan is a troubled gay son again, and the writing is terrible--sometimes hilariously terrible, sometimes just bad--and there are already worrying signs about how the writers are handling The Gay. I will wait and see, but I have been burned oh so many times, you guys.
However, Sigourney Weaver is magnificent, albeit so wasted here, and there is very strong femslash potential, and Sebastian Stan's stupid face, so I'll keep watching. But it's not good, it's not good at all.
Basically this appears to have been written by a dude who thinks he's Aaron Sorkin circa The West Wing (season 1), but is actually Aaron Sorkin circa The Newsroom. The only curiosity is why someone with such a generalized contempt for women would decide to write a story about women, and about institutionalized sexism in politics and the media. I mean, it's actually an excellent depiction of the shit stacked against us in both areas, but I think unintentionally.
Also, Sebastian Stan is a troubled gay son again, and the writing is terrible--sometimes hilariously terrible, sometimes just bad--and there are already worrying signs about how the writers are handling The Gay. I will wait and see, but I have been burned oh so many times, you guys.
However, Sigourney Weaver is magnificent, albeit so wasted here, and there is very strong femslash potential, and Sebastian Stan's stupid face, so I'll keep watching. But it's not good, it's not good at all.

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Also I have to admit, some of the badness is pretty hilarious. TJ wanted to be a concert pianist! But now he cannot because he's a gay junkie! And then he does coke at a family dinner and plays the piano...but so fast! TOO fast! Because of the DRUGS. That sort of thing.
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http://www.youtube.com/watch?v=KQHyM6uJ3RA
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2. I don't know if it was blatant enough to be a reference, but that would really make my day if it was. I think it was just meant to be generic ~drama,~ though.
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Ohhh, burn.